MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

1 ONE VENT SESSIONS

1.13 T.123C#.45Eb

t123C#.45Eb p01 u. mf-p

t123C#.45Eb p02 d. mf-p

t123C#.45Eb p02 mf-p

t123C#.45Eb p02 u. mp-p

t123C#.45Eb p03 d. ff-mf

t123C#.45Eb p03 mf-mp

t123C#.45Eb p03 u. f-mf

t123C#.45Eb p03 u. ff-mf

t123C#.45Eb p04 d. mf-p

t123C#.45Eb p04 mf-p

t123C#.45Eb p04 u. f-mf

t123C#.45Eb p04 u. ff-mf

t123C#.45Eb p04 u. mf-p

t123C#.45Eb p05 d. mp-p

t123C#.45Eb p05 f-mp

t123C#.45Eb p06 f-mf

t123C#.45Eb p07 d. mf-mp

t123C#.45Eb p07 f-mp

t123C#.45Eb p08 f-mp

t123C#.45Eb p09 f-mp

t123C#.45Eb p10 f-mp

t123C#.45Eb p10 u. f-mp

t123C#.45Eb p11 f-mp

t123C#.45Eb p12 f-mp

t123C#.45Eb p13 f-mp

t123C#.45Eb p14 f-mp

t123C#.45Eb p15 f-mp