MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

1 ONE VENT SESSIONS

1.17 S.C¹C²C#(G#).C³TcTaTfEb

s p01 C2 C#(G#). C3 TcTaTfEb p1 u. mp-p

s p01 C2 C#(G#). C3 TcTaTfEb p2 mf-mp

s p01 C2 C#(G#). C3 TcTaTfEb p2 u. mf-mp

s p01 C2 C#(G#). C3 TcTaTfEb p3 d. p-ppp

s p01 C2 C#(G#). C3 TcTaTfEb p3 u. mp-p

s p01 C2 C#(G#). C3 TcTaTfEb p4 d. ff-mf

s p01 C2 C#(G#). C3 TcTaTfEb p4 ff-mf

s p01 C2 C#(G#). C3 TcTaTfEb p4 u. ff-mp

s p01 C2 C#(G#). C3 TcTaTfEb p5 u. mf-mp

s p01 C2 C#(G#). C3 TcTaTfEb p6 f-mp

s p01 C2 C#(G#). C3 TcTaTfEb p7 f-mp

s p01 C2 C#(G#). C3 TcTaTfEb p8 ff-mp

s p01 C2 C#(G#). C3 TcTaTfEb p9 p-ppp