MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS 1 ONE VENT SESSIONS 1.20 A.8ctC¹C²C#(G#).C³TcTaTfEb a8ct p01 C2 C#(G#). C3 TcTaTfEb p1 d. f-mf
a8ct p01 C2 C#(G#). C3 TcTaTfEb p1 u. fff-mp
a8ct p01 C2 C#(G#). C3 TcTaTfEb p10 ff-mf
a8ct p01 C2 C#(G#). C3 TcTaTfEb p11 f-mp
a8ct p01 C2 C#(G#). C3 TcTaTfEb p2 d. mf-p
a8ct p01 C2 C#(G#). C3 TcTaTfEb p2 u. ff-mp
a8ct p01 C2 C#(G#). C3 TcTaTfEb p2 u. fff-mf
a8ct p01 C2 C#(G#). C3 TcTaTfEb p3 d. f-mf
a8ct p01 C2 C#(G#). C3 TcTaTfEb p3 u. f-mp
a8ct p01 C2 C#(G#). C3 TcTaTfEb p4 ff-mp
a8ct p01 C2 C#(G#). C3 TcTaTfEb p5 ff-mf
a8ct p01 C2 C#(G#). C3 TcTaTfEb p6 d. f-mp
a8ct p01 C2 C#(G#). C3 TcTaTfEb p6 f-mp
a8ct p01 C2 C#(G#). C3 TcTaTfEb p7 f-mp
a8ct p01 C2 C#(G#). C3 TcTaTfEb p8 f-mp
a8ct p01 C2 C#(G#). C3 TcTaTfEb p9 f-mp
a8ctC-¦C-¦C#(G#).C-¦TcTaTfEb p01 d. f-mf
a8ctC-¦C-¦C#(G#).C-¦TcTaTfEb p01 u. fff-mp
a8ctC-¦C-¦C#(G#).C-¦TcTaTfEb p02 d. mf-p
a8ctC-¦C-¦C#(G#).C-¦TcTaTfEb p02 u. ff-mp
a8ctC-¦C-¦C#(G#).C-¦TcTaTfEb p02 u. fff-mf
a8ctC-¦C-¦C#(G#).C-¦TcTaTfEb p03 d. f-mf
a8ctC-¦C-¦C#(G#).C-¦TcTaTfEb p03 u. f-mp
a8ctC-¦C-¦C#(G#).C-¦TcTaTfEb p04 ff-mp
a8ctC-¦C-¦C#(G#).C-¦TcTaTfEb p05 ff-mf
a8ctC-¦C-¦C#(G#).C-¦TcTaTfEb p06 d. f-mp
a8ctC-¦C-¦C#(G#).C-¦TcTaTfEb p06 f-mp
a8ctC-¦C-¦C#(G#).C-¦TcTaTfEb p07 f-mp
a8ctC-¦C-¦C#(G#).C-¦TcTaTfEb p08 f-mp
a8ctC-¦C-¦C#(G#).C-¦TcTaTfEb p09 f-mp
a8ctC-¦C-¦C#(G#).C-¦TcTaTfEb p10 ff-mf
a8ctC-¦C-¦C#(G#).C-¦TcTaTfEb p11 f-mp