MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

1 ONE VENT SESSIONS

1.24 B.8ctC¹C²C#(G#).C³TcTaTfEb

b8ct p01 C2 C#(G#). C3 TcTaTfEb p1 d. ff-mf

b8ct p01 C2 C#(G#). C3 TcTaTfEb p1 f-mp

b8ct p01 C2 C#(G#). C3 TcTaTfEb p1 u. f-mp

b8ct p01 C2 C#(G#). C3 TcTaTfEb p10 f-mp

b8ct p01 C2 C#(G#). C3 TcTaTfEb p11 f-mp

b8ct p01 C2 C#(G#). C3 TcTaTfEb p12 f-mp

b8ct p01 C2 C#(G#). C3 TcTaTfEb p13 mf-mp

b8ct p01 C2 C#(G#). C3 TcTaTfEb p2 d. mf-mp

b8ct p01 C2 C#(G#). C3 TcTaTfEb p2 f-mp

b8ct p01 C2 C#(G#). C3 TcTaTfEb p2 mf-p

b8ct p01 C2 C#(G#). C3 TcTaTfEb p2 u. f-mf

b8ct p01 C2 C#(G#). C3 TcTaTfEb p2 u. mf-p

b8ct p01 C2 C#(G#). C3 TcTaTfEb p3 d. p-pp

b8ct p01 C2 C#(G#). C3 TcTaTfEb p3 f-mp 1

b8ct p01 C2 C#(G#). C3 TcTaTfEb p3 f-mp 2

b8ct p01 C2 C#(G#). C3 TcTaTfEb p3 u. f-mp

b8ct p01 C2 C#(G#). C3 TcTaTfEb p4 mf-mp

b8ct p01 C2 C#(G#). C3 TcTaTfEb p5 d. mf-mp

b8ct p01 C2 C#(G#). C3 TcTaTfEb p5 mp-p

b8ct p01 C2 C#(G#). C3 TcTaTfEb p5 u. mf-pp

b8ct p01 C2 C#(G#). C3 TcTaTfEb p6 d. mf-mp

b8ct p01 C2 C#(G#). C3 TcTaTfEb p6 f-mp

b8ct p01 C2 C#(G#). C3 TcTaTfEb p7 mf-mp

b8ct p01 C2 C#(G#). C3 TcTaTfEb p8 d. mf-mp

b8ct p01 C2 C#(G#). C3 TcTaTfEb p8 f-mp

b8ct p01 C2 C#(G#). C3 TcTaTfEb p9 f-mp