MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

2 TWO VENT SESSIONS

2.42 S.8ct123Bb(G#).7

s8ct123Bb(G#).7 p01 d. f-mf

s8ct123Bb(G#).7 p01 ff-mp

s8ct123Bb(G#).7 p01 u. ff-mp

s8ct123Bb(G#).7 p01 u. mp-pp

s8ct123Bb(G#).7 p02 d. mp-pp

s8ct123Bb(G#).7 p02 ff-mp

s8ct123Bb(G#).7 p02 u. fff-mp

s8ct123Bb(G#).7 p02 u. mf-p

s8ct123Bb(G#).7 p03 d. ff-mp

s8ct123Bb(G#).7 p03 ff-mp

s8ct123Bb(G#).7 p03 u. mf-p

s8ct123Bb(G#).7 p04 d. mp-pp

s8ct123Bb(G#).7 p04 mf-pp

s8ct123Bb(G#).7 p04 u. mf-mp

s8ct123Bb(G#).7 p05 d. f-mf

s8ct123Bb(G#).7 p05 ff-mf

s8ct123Bb(G#).7 p05 u. p-ppp

s8ct123Bb(G#).7 p06 mp-ppp

s8ct123Bb(G#).7 p06 u. mf-mp

s8ct123Bb(G#).7 p07 f-mp

s8ct123Bb(G#).7 p08 mf-p

s8ct123Bb(G#).7 p09 mf-p