MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

2 TWO VENT SESSIONS

2.45 T.123Bb(G#).7

t123Bb(G#).7 p01 u. mp-pp

t123Bb(G#).7 p02 d. ff-f

t123Bb(G#).7 p02 u. mp-ppp

t123Bb(G#).7 p03 d. mp-pp

t123Bb(G#).7 p03 u. f-mp

t123Bb(G#).7 p03 u. mf-p

t123Bb(G#).7 p04 d. mf-p

t123Bb(G#).7 p04 mf-mp

t123Bb(G#).7 p05 u. mp-p

t123Bb(G#).7 p06 f-mp

t123Bb(G#).7 p07 mp-p

t123Bb(G#).7 p08 f-mf

t123Bb(G#).7 p09 f-mp

t123Bb(G#).7 p10 f-mf

t123Bb(G#).7 p11 ff-mf

t123Bb(G#).7 p12 ff-mf

t123Bb(G#).7 p13 ff-mf

t123Bb(G#).7 p14 ff-mf

t123Bb(G#).7 p15 f-mf

t123Bb(G#).7 p16 f-mf