MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

2 TWO VENT SESSIONS

2.47 B.123Bb(G#).7

b123Bb(G#).7 p01 u. mf-p

b123Bb(G#).7 p02 d. ff-mf

b123Bb(G#).7 p02 f-mp

b123Bb(G#).7 p02 u. f-mp

b123Bb(G#).7 p03 f-mp

b123Bb(G#).7 p04 f-mp

b123Bb(G#).7 p05 d. mp-pp

b123Bb(G#).7 p05 f-mp

b123Bb(G#).7 p05 u. mf-p

b123Bb(G#).7 p06 f-mp

b123Bb(G#).7 p06 u. f-mf

b123Bb(G#).7 p06 u. mf-mp

b123Bb(G#).7 p07 f-mp

b123Bb(G#).7 p07 u. f-mf

b123Bb(G#).7 p08 mf-mp

b123Bb(G#).7 p09 f-mf

b123Bb(G#).7 p10 f-mf

b123Bb(G#).7 p11 f-mp

b123Bb(G#).7 p11 u. f-mf

b123Bb(G#).7 p12 f-mf

b123Bb(G#).7 p13 f-mp

b123Bb(G#).7 p14 ff-mf

b123Bb(G#).7 p15 ff-mp

b123Bb(G#).7 p16 f-mp

b123Bb(G#).7 p17 f-mp

b123Bb(G#).7 p18 f-mf