MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

2 TWO VENT SESSIONS

2.57 S.123C#.Ta4Eb

s123C#.Ta4Eb p01 d. f-mp

s123C#.Ta4Eb p01 u. ff-f

s123C#.Ta4Eb p01 u. mf-mp

s123C#.Ta4Eb p01 u. mp-p

s123C#.Ta4Eb p02 d. mf-mp

s123C#.Ta4Eb p02 d. mp-p

s123C#.Ta4Eb p02 u. f-mf

s123C#.Ta4Eb p02 u. f-mf 2

s123C#.Ta4Eb p02 u. mf-mp

s123C#.Ta4Eb p03 d. ff-f

s123C#.Ta4Eb p03 f-mf

s123C#.Ta4Eb p03 u. ff-f

s123C#.Ta4Eb p04 d. ff-f

s123C#.Ta4Eb p04 ff-mf

s123C#.Ta4Eb p04 u. ff-f

s123C#.Ta4Eb p04 u. mp-pp

s123C#.Ta4Eb p05 d. ff-mf

s123C#.Ta4Eb p05 u. ff-f

s123C#.Ta4Eb p06 d. p-pp

s123C#.Ta4Eb p06 u. mf-p

s123C#.Ta4Eb p07 f-mp

s123C#.Ta4Eb p08 f-mf

s123C#.Ta4Eb p09 mf-mp

s123C#.Ta4Eb p10 mf-mp