MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

2 TWO VENT SESSIONS

2.63 B.123C#.Ta4Eb

b123C#.Ta4Eb p01 d. f-mf

b123C#.Ta4Eb p01 f-mp

b123C#.Ta4Eb p01 u. ff-mp

b123C#.Ta4Eb p01 u. mp-p

b123C#.Ta4Eb p02 d. f-mf

b123C#.Ta4Eb p02 mf-mp

b123C#.Ta4Eb p02 u. f-mp

b123C#.Ta4Eb p03 d. ff-mp

b123C#.Ta4Eb p03 f-mp

b123C#.Ta4Eb p03 mf-p

b123C#.Ta4Eb p03 u. f-mp

b123C#.Ta4Eb p04 d. mf-mp

b123C#.Ta4Eb p04 f-mp

b123C#.Ta4Eb p04 u. mf-mp

b123C#.Ta4Eb p05 d. mf-mp

b123C#.Ta4Eb p05 d. mp-pp

b123C#.Ta4Eb p05 f-mp

b123C#.Ta4Eb p05 u. f-mp

b123C#.Ta4Eb p06 mf-mp

b123C#.Ta4Eb p07 f-mp

b123C#.Ta4Eb p08 f-mp

b123C#.Ta4Eb p09 f-mp

b123C#.Ta4Eb p10 f-mp

b123C#.Ta4Eb p11 f-mp

b123C#.Ta4Eb p12 f-mp

b123C#.Ta4Eb p13 f-mf

b123C#.Ta4Eb p14 f-mp

b123C#.Ta4Eb p14 u. f-mp