MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS 3 THREE VENT SESSIONS 3.10 S.8ct12Bb.456 s8ct12Bb.456 p01 d. f-mf
s8ct12Bb.456 p01 ff-mf
s8ct12Bb.456 p01 u. f-mf
s8ct12Bb.456 p02 d. mp-pp
s8ct12Bb.456 p02 mf-mp
s8ct12Bb.456 p02 u. mf-p
s8ct12Bb.456 p03 p-ppp
s8ct12Bb.456 p04 d. ff-mf
s8ct12Bb.456 p04 f-mp
s8ct12Bb.456 p04 u. f-mp
s8ct12Bb.456 p04 u. mp-p
s8ct12Bb.456 p05 d. f-mf
s8ct12Bb.456 p05 mp-pp
s8ct12Bb.456 p05 u. f-mp
s8ct12Bb.456 p06 d. mp-p
s8ct12Bb.456 p06 f-mp
s8ct12Bb.456 p06 u. p-ppp
s8ct12Bb.456 p07 d. mf-p
s8ct12Bb.456 p07 ff-f
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s8ct12Bb.456 p09 d. mf-mp
s8ct12Bb.456 p10 f-mp
s8ct12Bb.456 p11 f-mp
s8ct12Bb.456 p12 f-mp
s8ct12Bb.456 p13 f-mf
s8ct12Bb.456 p14 mf-mp