MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

3 THREE VENT SESSIONS

3.12 A.8ct12Bb.456

a8ct12Bb.456 p01 f-mp

a8ct12Bb.456 p01 u. f-mp

a8ct12Bb.456 p01 u. mf-p

a8ct12Bb.456 p02 d. f-mf

a8ct12Bb.456 p02 f-mf

a8ct12Bb.456 p02 f-mp

a8ct12Bb.456 p02 u. mf-p

a8ct12Bb.456 p02 u. p-ppp

a8ct12Bb.456 p03 d. mp-p

a8ct12Bb.456 p03 f-mp

a8ct12Bb.456 p03 u. f-mp

a8ct12Bb.456 p03 u. p-ppp

a8ct12Bb.456 p04 d. mp-p

a8ct12Bb.456 p04 f-mp

a8ct12Bb.456 p04 u. f-mf

a8ct12Bb.456 p04 u. f-mp

a8ct12Bb.456 p04 u. mf-mp

a8ct12Bb.456 p04 u. mf-p

a8ct12Bb.456 p04 u. mp-pp

a8ct12Bb.456 p05 d. mf-mp

a8ct12Bb.456 p05 mf-p

a8ct12Bb.456 p05 u. mp-pp

a8ct12Bb.456 p06 d. f-mp

a8ct12Bb.456 p06 f-mp

a8ct12Bb.456 p06 mf-pp

a8ct12Bb.456 p06 u. f-mp

a8ct12Bb.456 p06 u. mf-p

a8ct12Bb.456 p07 d. f-mp

a8ct12Bb.456 p07 f-mp

a8ct12Bb.456 p07 u. f-mf

a8ct12Bb.456 p08 d. f-mp

a8ct12Bb.456 p08 f-mf

a8ct12Bb.456 p08 f-mp

a8ct12Bb.456 p08 u. f-mp

a8ct12Bb.456 p09 d. mf-mp

a8ct12Bb.456 p09 f-mp

a8ct12Bb.456 p09 u. f-mp

a8ct12Bb.456 p09 u. mf-p

a8ct12Bb.456 p09 u. mp-p

a8ct12Bb.456 p10 f-mf

a8ct12Bb.456 p10 f-mp

a8ct12Bb.456 p11 f-mp

a8ct12Bb.456 p12 f-mp

a8ct12Bb.456 p13 f-mp

a8ct12Bb.456 p14 f-mp