MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

3 THREE VENT SESSIONS

3.13 T.12Bb.456

t12Bb.456 p01 f-mf

t12Bb.456 p01 u. f-mp

t12Bb.456 p01 u. ff-mf

t12Bb.456 p02 u. f-mp

t12Bb.456 p02 u. mf-mp

t12Bb.456 p03 d. f-mp

t12Bb.456 p03 d. mf-mp

t12Bb.456 p03 u. mf-p

t12Bb.456 p04 d. mp-p

t12Bb.456 p04 f-mp

t12Bb.456 p04 u. ff-mp

t12Bb.456 p04 u. ff-mp 2

t12Bb.456 p05 mf-mp

t12Bb.456 p05 u. f-mf

t12Bb.456 p06 d. mf-p

t12Bb.456 p06 f-mp

t12Bb.456 p07 d. f-mp

t12Bb.456 p07 u. f-mf

t12Bb.456 p07 u. f-mp

t12Bb.456 p07 u. ff-f

t12Bb.456 p08 fff-f

t12Bb.456 p09 ff-mf

t12Bb.456 p10 ff-mf

t12Bb.456 p11 f-mf

t12Bb.456 p12 d. f-mf

t12Bb.456 p12 ff-mf

t12Bb.456 p13 f-mp

t12Bb.456 p13 u. f-mf

t12Bb.456 p14 f-mf

t12Bb.456 p15 f-mf

t12Bb.456 p16 f-mf