MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

3 THREE VENT SESSIONS

3.15 B.12Bb.456

b12Bb.456 p01 d. ff-f

b12Bb.456 p01 f-mp

b12Bb.456 p01 u. f-mp

b12Bb.456 p02 d. ff-mf

b12Bb.456 p02 u. f-mf

b12Bb.456 p02 u. f-mp

b12Bb.456 p03 d. mf-p

b12Bb.456 p03 u. f-mp

b12Bb.456 p03 u. ff-f

b12Bb.456 p04 d. mp-p

b12Bb.456 p04 u. f-mp

b12Bb.456 p05 mf-p

b12Bb.456 p05 u. f-mp

b12Bb.456 p06 d. mf-mp

b12Bb.456 p06 mf-mp

b12Bb.456 p06 u. f-mf

b12Bb.456 p07 f-mf

b12Bb.456 p07 u. mf-p

b12Bb.456 p08 f-mf

b12Bb.456 p09 f-mf

b12Bb.456 p10 f-mp

b12Bb.456 p11 f-mf

b12Bb.456 p12 ff-mf

b12Bb.456 p13 f-mp

b12Bb.456 p13 u. mf-p

b12Bb.456 p14 f-mp

b12Bb.456 p15 f-mp

b12Bb.456 p16 f-mp

b12Bb.456 p17 f-mf

b12Bb.456 p18 mf-p