MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

3 THREE VENT SESSIONS

3.16 B.8ct12Bb.456

b8ct12Bb.456 p01 d. f-mp

b8ct12Bb.456 p01 mf-mp

b8ct12Bb.456 p01 u. mf-mp

b8ct12Bb.456 p02 d. ff-mf

b8ct12Bb.456 p02 mf-pp

b8ct12Bb.456 p02 u. f-mp

b8ct12Bb.456 p02 u. ff-mp

b8ct12Bb.456 p02 u. mf-p

b8ct12Bb.456 p03 mf-mp

b8ct12Bb.456 p04 p-ppp

b8ct12Bb.456 p05 d. mf-mp

b8ct12Bb.456 p05 mf-mp

b8ct12Bb.456 p05 u. f-mp

b8ct12Bb.456 p06 d. f-mp

b8ct12Bb.456 p06 f-mf

b8ct12Bb.456 p06 u. f-mp

b8ct12Bb.456 p07 d. f-mp

b8ct12Bb.456 p07 f-mf

b8ct12Bb.456 p07 ff-mf

b8ct12Bb.456 p07 ff-mp

b8ct12Bb.456 p07 u. f-mp

b8ct12Bb.456 p08 d. f-mp

b8ct12Bb.456 p08 ff-mf

b8ct12Bb.456 p08 u. ff-mp

b8ct12Bb.456 p09 ff-mp

b8ct12Bb.456 p10 ff-mp

b8ct12Bb.456 p11 ff-mp

b8ct12Bb.456 p12 mf-mp

b8ct12Bb.456 p13 mf-mp

b8ct12Bb.456 p14 f-mp

b8ct12Bb.456 p15 f-mf

b8ct12Bb.456 p16 f-mp

b8ct12Bb.456 p17 mf-mp