MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

3 THREE VENT SESSIONS

3.18 S.8ctC²123Bb.456Eb7

s8ct p02 123Bb.456Eb7 p1 d. f-mp

s8ct p02 123Bb.456Eb7 p1 d. mf-mp

s8ct p02 123Bb.456Eb7 p1 f-mp

s8ct p02 123Bb.456Eb7 p1 u. f-mf

s8ct p02 123Bb.456Eb7 p1 u. mf-p

s8ct p02 123Bb.456Eb7 p10 f-mp

s8ct p02 123Bb.456Eb7 p11 mf-mp

s8ct p02 123Bb.456Eb7 p12 mf-mp

s8ct p02 123Bb.456Eb7 p2 f-mp

s8ct p02 123Bb.456Eb7 p3 d. mf-mp

s8ct p02 123Bb.456Eb7 p3 mf-mp

s8ct p02 123Bb.456Eb7 p3 u. mp-p

s8ct p02 123Bb.456Eb7 p4 d. f-mp

s8ct p02 123Bb.456Eb7 p4 d. mf-pp

s8ct p02 123Bb.456Eb7 p4 f-mp

s8ct p02 123Bb.456Eb7 p4 u. mf-p

s8ct p02 123Bb.456Eb7 p5 f-mf

s8ct p02 123Bb.456Eb7 p6 d. f-mp

s8ct p02 123Bb.456Eb7 p6 f-mp

s8ct p02 123Bb.456Eb7 p6 u. mf-p

s8ct p02 123Bb.456Eb7 p7 d. ff-mp

s8ct p02 123Bb.456Eb7 p7 f-mp

s8ct p02 123Bb.456Eb7 p7 u. f-mp

s8ct p02 123Bb.456Eb7 p8 f-mp

s8ct p02 123Bb.456Eb7 p9 f-mp