MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS 3 THREE VENT SESSIONS 3.2 S.8ct123B.56 s8ct123B.56 p01 f-mp
s8ct123B.56 p01 ff-mp
s8ct123B.56 p01 mf-mp
s8ct123B.56 p01 mf-p
s8ct123B.56 p01 u. mp-pp
s8ct123B.56 p01 u. p-ppp
s8ct123B.56 p02 d. mf-mp
s8ct123B.56 p02 d. mf-p
s8ct123B.56 p02 d. p-pp
s8ct123B.56 p02 d. p-ppp
s8ct123B.56 p02 f-mp
s8ct123B.56 p02 ff-mf
s8ct123B.56 p02 mf-p
s8ct123B.56 p02 u. mp-p
s8ct123B.56 p03 f-mp
s8ct123B.56 p04 d. f-mp
s8ct123B.56 p04 mp-ppp
s8ct123B.56 p04 u. f-mp
s8ct123B.56 p04 u. mf-mp
s8ct123B.56 p05 d. p-ppp
s8ct123B.56 p05 f-mf
s8ct123B.56 p05 ff-mf
s8ct123B.56 p05 ff-mp
s8ct123B.56 p05 u. f-mf
s8ct123B.56 p06 mp-pp
s8ct123B.56 p07 d. f-mf
s8ct123B.56 p07 f-mp
s8ct123B.56 p08 mf-p
s8ct123B.56 p09 f-mp
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s8ct123B.56 p11 f-mp