MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

3 THREE VENT SESSIONS

3.24 B.8ctC²123Bb.456Eb7

b8ct p02 123Bb.456Eb7 p1 d. f-mf

b8ct p02 123Bb.456Eb7 p1 ff-mf

b8ct p02 123Bb.456Eb7 p1 mf-p

b8ct p02 123Bb.456Eb7 p1 u. f-mp

b8ct p02 123Bb.456Eb7 p1 u. ff-mf

b8ct p02 123Bb.456Eb7 p1 u. mf-p

b8ct p02 123Bb.456Eb7 p10 ff-mp

b8ct p02 123Bb.456Eb7 p11 f-mp

b8ct p02 123Bb.456Eb7 p12 f-mp

b8ct p02 123Bb.456Eb7 p13 f-mp

b8ct p02 123Bb.456Eb7 p14 ff-f

b8ct p02 123Bb.456Eb7 p15 ff-mp

b8ct p02 123Bb.456Eb7 p16 f-mf

b8ct p02 123Bb.456Eb7 p2 d. f-mf

b8ct p02 123Bb.456Eb7 p2 mf-mp

b8ct p02 123Bb.456Eb7 p2 u. f-mf

b8ct p02 123Bb.456Eb7 p2 u. ff-mf

b8ct p02 123Bb.456Eb7 p3 d. ff-mp

b8ct p02 123Bb.456Eb7 p3 f-mp

b8ct p02 123Bb.456Eb7 p3 u. mf-mp

b8ct p02 123Bb.456Eb7 p3 u. mf-p

b8ct p02 123Bb.456Eb7 p4 d. mp-pp

b8ct p02 123Bb.456Eb7 p4 f-mf

b8ct p02 123Bb.456Eb7 p4 f-mp

b8ct p02 123Bb.456Eb7 p4 mf-mp 1

b8ct p02 123Bb.456Eb7 p4 mf-mp 2

b8ct p02 123Bb.456Eb7 p4 u. f-mp

b8ct p02 123Bb.456Eb7 p4 u. mf-p

b8ct p02 123Bb.456Eb7 p5 d. f-mf 1

b8ct p02 123Bb.456Eb7 p5 d. f-mf 2

b8ct p02 123Bb.456Eb7 p5 d. f-mp

b8ct p02 123Bb.456Eb7 p5 f-mf

b8ct p02 123Bb.456Eb7 p5 f-mp 1

b8ct p02 123Bb.456Eb7 p5 f-mp 2

b8ct p02 123Bb.456Eb7 p5 ff-mp 1

b8ct p02 123Bb.456Eb7 p5 ff-mp 2

b8ct p02 123Bb.456Eb7 p5 u. ff-mp 1

b8ct p02 123Bb.456Eb7 p5 u. ff-mp 2

b8ct p02 123Bb.456Eb7 p5 u. mf-mp

b8ct p02 123Bb.456Eb7 p6 d. mf-mp

b8ct p02 123Bb.456Eb7 p6 ff-mf 1

b8ct p02 123Bb.456Eb7 p6 ff-mf 2

b8ct p02 123Bb.456Eb7 p6 mf-mp

b8ct p02 123Bb.456Eb7 p6 mf-p

b8ct p02 123Bb.456Eb7 p6 u. ff-mp

b8ct p02 123Bb.456Eb7 p6 u. mf-mp

b8ct p02 123Bb.456Eb7 p7 d. f-mf

b8ct p02 123Bb.456Eb7 p7 f-mf

b8ct p02 123Bb.456Eb7 p8 f-mp

b8ct p02 123Bb.456Eb7 p9 ff-mp