MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

3 THREE VENT SESSIONS

3.3 A.123B.56

a123B.56 p01 d. ff-mp

a123B.56 p01 f-p

a123B.56 p01 u. mf-p

a123B.56 p02 d. ff-mf

a123B.56 p02 f-p

a123B.56 p02 u. ff-mp

a123B.56 p03 d. mp-pp

a123B.56 p03 d. p-pp

a123B.56 p03 f-p

a123B.56 p03 u. ff-mp

a123B.56 p04 d. mf-p

a123B.56 p04 ff-mp

a123B.56 p04 u. ff-mf

a123B.56 p05 d. f-mf

a123B.56 p05 f-mp

a123B.56 p05 u. f-mf

a123B.56 p06 d. f-mp

a123B.56 p06 f-mf

a123B.56 p07 ff-mf

a123B.56 p08 ff-mp

a123B.56 p09 ff-mf

a123B.56 p10 ff-mf

a123B.56 p11 ff-mf

a123B.56 p12 ff-mf

a123B.56 p13 f-mf