MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

3 THREE VENT SESSIONS

3.44 A.8ctX23.47

a8ctX23.47 p01 d. f-mf


a8ctX23.47 p01 u. mp-p


a8ctX23.47 p02 mf-pp


a8ctX23.47 p02 u. f-mf


a8ctX23.47 p02 u. f-mp


a8ctX23.47 p02 u. mf-mp


a8ctX23.47 p03 d. mf-p


a8ctX23.47 p03 mf-mp


a8ctX23.47 p03 u. f-mp


a8ctX23.47 p03 u. mf-mp


a8ctX23.47 p04 d. mf-mp


a8ctX23.47 p04 d. mf-pp


a8ctX23.47 p04 ff-mf


a8ctX23.47 p04 u. f-mf


a8ctX23.47 p05 mf-mp


a8ctX23.47 p06 d. f-mp


a8ctX23.47 p06 f-mp


a8ctX23.47 p06 ff-mp


a8ctX23.47 p06 u. f-mf


a8ctX23.47 p07 fff-mf


a8ctX23.47 p08 f-mp


a8ctX23.47 p08 ff-mp


a8ctX23.47 p09 ff-mf


a8ctX23.47 p10 f-mf


a8ctX23.47 p10 ff-mf


a8ctX23.47 p11 ff-mf


a8ctX23.47 p12 ff-mp


a8ctX23.47 p13 fff-mf


a8ctX23.47 p14 ff-mf


a8ctX23.47 p15 f-mf


a8ctX23.47 p16 ff-mp