MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

3 THREE VENT SESSIONS

3.5 T.123B.56

t123B.56 p01 d. fff-f

t123B.56 p01 f-mp

t123B.56 p01 u. f-mp

t123B.56 p02 d. mf-mp

t123B.56 p02 d. mf-p

t123B.56 p02 f-mp

t123B.56 p02 u. f-mf

t123B.56 p02 u. ff-f

t123B.56 p03 d. ff-mf

t123B.56 p03 f-mp

t123B.56 p03 u. mf-mp

t123B.56 p04 d. mf-p

t123B.56 p04 u. f-mp

t123B.56 p05 d. mf-pp

t123B.56 p05 ff-mp

t123B.56 p05 u. f-mf

t123B.56 p06 mp-p

t123B.56 p07 d. f-mp

t123B.56 p07 u. f-mp

t123B.56 p07 u. ff-mp

t123B.56 p08 f-mp

t123B.56 p08 u. f-mp

t123B.56 p09 f-mp

t123B.56 p10 f-mf

t123B.56 p11 f-mf

t123B.56 p11 f-mp

t123B.56 p12 d. mf-p

t123B.56 p12 f-mp

t123B.56 p12 ff-mf

t123B.56 p12 u. f-mp

t123B.56 p13 f-mp

t123B.56 p14 f-mp

t123B.56 p15 f-mp

t123B.56 p16 f-mp