MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

3 THREE VENT SESSIONS

3.51 A.X2C#(G#).TcTaTfEb

aX2C#(G#).TcTaTfEb p01 u. ff-mf


aX2C#(G#).TcTaTfEb p02 d. mp-pp


aX2C#(G#).TcTaTfEb p03 d. mp-pp


aX2C#(G#).TcTaTfEb p03 ff-mf


aX2C#(G#).TcTaTfEb p04 d. ff-mp


aX2C#(G#).TcTaTfEb p04 u. ff-mp


aX2C#(G#).TcTaTfEb p05 ff-mf


aX2C#(G#).TcTaTfEb p06 ff-mf


aX2C#(G#).TcTaTfEb p06 u. ff-mf


aX2C#(G#).TcTaTfEb p07 ff-f


aX2C#(G#).TcTaTfEb p08 ff-mf


aX2C#(G#).TcTaTfEb p09 ff-mf


aX2C#(G#).TcTaTfEb p10 f-mf


aX2C#(G#).TcTaTfEb p11.12.13 f-mf