MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

3 THREE VENT SESSIONS

3.53 T.X2C#(G#).TcTaTfEb

tX2C#(G#).TcTaTfEb p01 u. f-mp


tX2C#(G#).TcTaTfEb p02 mp-pp


tX2C#(G#).TcTaTfEb p02 u. mf-p


tX2C#(G#).TcTaTfEb p03 d. mp-p


tX2C#(G#).TcTaTfEb p03 mf-mp


tX2C#(G#).TcTaTfEb p04 f-mf


tX2C#(G#).TcTaTfEb p04 mf-p


tX2C#(G#).TcTaTfEb p04 u. f-mf


tX2C#(G#).TcTaTfEb p05 ff-mp


tX2C#(G#).TcTaTfEb p06 f-mp


tX2C#(G#).TcTaTfEb p07 f-mp


tX2C#(G#).TcTaTfEb p08 f-mp


tX2C#(G#).TcTaTfEb p08 u. f-mp


tX2C#(G#).TcTaTfEb p09 f-mp


tX2C#(G#).TcTaTfEb p10 f-mp


tX2C#(G#).TcTaTfEb p11 mf-p