MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

3 THREE VENT SESSIONS

3.55 B.X2C#(G#).TcTaTfEb

bX2C#(G#).TcTaTfEb p01 d. ff-f

bX2C#(G#).TcTaTfEb p01 f-mp

bX2C#(G#).TcTaTfEb p01 u. f-mp

bX2C#(G#).TcTaTfEb p01 u. ff-mp

bX2C#(G#).TcTaTfEb p01 u. mf-p

bX2C#(G#).TcTaTfEb p02 f-mp

bX2C#(G#).TcTaTfEb p02 mf-p

bX2C#(G#).TcTaTfEb p03 mp-p

bX2C#(G#).TcTaTfEb p04 f-mp

bX2C#(G#).TcTaTfEb p05 f-mp

bX2C#(G#).TcTaTfEb p05 u. f-mp

bX2C#(G#).TcTaTfEb p06 f-mf

bX2C#(G#).TcTaTfEb p07 f-mp

bX2C#(G#).TcTaTfEb p08 f-mp

bX2C#(G#).TcTaTfEb p09 f-mp

bX2C#(G#).TcTaTfEb p10 f-mf

bX2C#(G#).TcTaTfEb p11 f-mf

bX2C#(G#).TcTaTfEb p12 f-mp

bX2C#(G#).TcTaTfEb p13 f-mp

bX2C#(G#).TcTaTfEb p14 f-mp

bX2C#(G#).TcTaTfEb p15 f-mp

bX2C#(G#).TcTaTfEb p16 f-mp