MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

3 THREE VENT SESSIONS

3.7 B.123B.56

b123B.56 p01 d. f-mf

b123B.56 p01 f-mp

b123B.56 p01 mf-mp

b123B.56 p01 u. ff-mp

b123B.56 p01 u. mf-p

b123B.56 p02 d. f-mf

b123B.56 p02 d. f-mp

b123B.56 p02 d. mf-mp

b123B.56 p02 f-mp

b123B.56 p02 mf-p

b123B.56 p02 u. ff-mp

b123B.56 p02 u. mf-mp

b123B.56 p02 u. mp-p

b123B.56 p03 mf-mp

b123B.56 p03 u. mf-mp

b123B.56 p04 mf-p

b123B.56 p05 mf-mp

b123B.56 p06 mf-mp

b123B.56 p07 d. mf-mp

b123B.56 p07 u. mf-mp

b123B.56 p08 f-mp

b123B.56 p08 u. f-mp

b123B.56 p08 u. f-mp 2

b123B.56 p09 f-mf

b123B.56 p10 f-mp

b123B.56 p11 f-mp

b123B.56 p11 u. f-mp

b123B.56 p12 f-mp

b123B.56 p13 f-mp

b123B.56 p14 f-mf

b123B.56 p15 f-mf

b123B.56 p16 f-mf

b123B.56 p16 u. f-mp