MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

4 FOUR VENT SESSIONS

4.11 A.123Bb.Tc56

a123Bb.Tc56 p01 d. f-mf

a123Bb.Tc56 p01 f-mp

a123Bb.Tc56 p01 u. f-mp

a123Bb.Tc56 p02 u. mp-ppp

a123Bb.Tc56 p03 d. mf-pp

a123Bb.Tc56 p03 ff-mp

a123Bb.Tc56 p03 u. ff-mf

a123Bb.Tc56 p04 d. mp-pp

a123Bb.Tc56 p04 u. mf-pp

a123Bb.Tc56 p05 d. f-mp

a123Bb.Tc56 p05 d. mf-p

a123Bb.Tc56 p05 ff-mp

a123Bb.Tc56 p05 u. ff-mp

a123Bb.Tc56 p06 d. f-mp

a123Bb.Tc56 p06 ff-mp

a123Bb.Tc56 p06 u. ff-mp

a123Bb.Tc56 p07 ff-mp

a123Bb.Tc56 p08 ff-mp

a123Bb.Tc56 p09 ff-mp

a123Bb.Tc56 p10 ff-mp

a123Bb.Tc56 p11 ff-mp

a123Bb.Tc56 p12 ff-mp

a123Bb.Tc56 p13 ff-mp

a123Bb.Tc56 p14 ff-mp

a123Bb.Tc56 p15 f-mp

a123Bb.Tc56 p15 f-mp 2