MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

4 FOUR VENT SESSIONS

4.18 S.8ct23Bb.45

s8ct23Bb.45 p01 d. ff-mf

s8ct23Bb.45 p01 u. f-mp

s8ct23Bb.45 p01 u. ff-mp

s8ct23Bb.45 p01 u. mp-pp

s8ct23Bb.45 p02 d. mf-mp

s8ct23Bb.45 p02 mf-p

s8ct23Bb.45 p02 u. mf-p

s8ct23Bb.45 p03 ff-mf

s8ct23Bb.45 p03 u. f-mf

s8ct23Bb.45 p03 u. ff-mf

s8ct23Bb.45 p04 d. mf-pp

s8ct23Bb.45 p04 u. f-mp

s8ct23Bb.45 p05 d. f-mp

s8ct23Bb.45 p05 d. mf-mp

s8ct23Bb.45 p05 f-mp

s8ct23Bb.45 p05 u. f-mp

s8ct23Bb.45 p05 u. ff-mf

s8ct23Bb.45 p05 u. ff-mp

s8ct23Bb.45 p06 d. ff-mp

s8ct23Bb.45 p06 d. mf-p

s8ct23Bb.45 p06 f-mp

s8ct23Bb.45 p06 u. f-mp

s8ct23Bb.45 p07 ff-mf

s8ct23Bb.45 p07 ff-mp

s8ct23Bb.45 p08 f-mp

s8ct23Bb.45 p09 ff-mp

s8ct23Bb.45 p10 f-mp