MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS 4 FOUR VENT SESSIONS 4.29 T.C¹12Bb.456Eb7 t p01 12Bb.456Eb7 p1 u. ff-mp
t p01 12Bb.456Eb7 p1 u. p-ppp
t p01 12Bb.456Eb7 p10 f-mp
t p01 12Bb.456Eb7 p11 f-mp
t p01 12Bb.456Eb7 p11 u. f-mf
t p01 12Bb.456Eb7 p12 f-mp
t p01 12Bb.456Eb7 p13 f-mp
t p01 12Bb.456Eb7 p14 f-mp
t p01 12Bb.456Eb7 p15 f-mp
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t p01 12Bb.456Eb7 p2 u. ff-mp
t p01 12Bb.456Eb7 p2 u. mf-pp
t p01 12Bb.456Eb7 p2 u. mp-pp
t p01 12Bb.456Eb7 p3 d. mf-p
t p01 12Bb.456Eb7 p3 mf-p
t p01 12Bb.456Eb7 p3 u. f-mf
t p01 12Bb.456Eb7 p4 d. mp-p
t p01 12Bb.456Eb7 p5 d. mp-p
t p01 12Bb.456Eb7 p5 f-mp
t p01 12Bb.456Eb7 p5 u. f-mf
t p01 12Bb.456Eb7 p6 f-mp
t p01 12Bb.456Eb7 p7 ff-mf
t p01 12Bb.456Eb7 p8 ff-mf
t p01 12Bb.456Eb7 p9 ff-mp