MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS 4 FOUR VENT SESSIONS 4.31 B.C¹12Bb.456Eb7 b p01 12Bb.456Eb7 p1 d. ff-mf
b p01 12Bb.456Eb7 p1 f-mp
b p01 12Bb.456Eb7 p1 ff-mf
b p01 12Bb.456Eb7 p1 u. ff-mp
b p01 12Bb.456Eb7 p1 u. mf-mp
b p01 12Bb.456Eb7 p1 u. mf-p
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b p01 12Bb.456Eb7 p11 u. f-mp
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b p01 12Bb.456Eb7 p14 u. ff-mf
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b p01 12Bb.456Eb7 p2 d. f-mf
b p01 12Bb.456Eb7 p2 mf-mp
b p01 12Bb.456Eb7 p2 u. mf-p
b p01 12Bb.456Eb7 p20 f-mp
b p01 12Bb.456Eb7 p3 mf-mp
b p01 12Bb.456Eb7 p4 d. f-mp
b p01 12Bb.456Eb7 p4 f-mp
b p01 12Bb.456Eb7 p4 u. ff-mf
b p01 12Bb.456Eb7 p5 d. mf-mp
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b p01 12Bb.456Eb7 p6 u. f-mp
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b p01 12Bb.456Eb7 p9 d. f-mp
b p01 12Bb.456Eb7 p9 ff-mp
b p01 12Bb.456Eb7 p9 u. ff-mp