MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

4 FOUR VENT SESSIONS

4.34 S.8ctC²123B.45

s8ct p02 123B.45 p1 d. mf-p

s8ct p02 123B.45 p1 mf-p

s8ct p02 123B.45 p1 u. mf-mp

s8ct p02 123B.45 p10 mf-mp

s8ct p02 123B.45 p11 mf-p

s8ct p02 123B.45 p2 d. f-mp

s8ct p02 123B.45 p2 ff-mp

s8ct p02 123B.45 p2 u. f-mp

s8ct p02 123B.45 p2 u. mp-p

s8ct p02 123B.45 p3 d. f-mp

s8ct p02 123B.45 p3 ff-mf

s8ct p02 123B.45 p3 u. f-mp

s8ct p02 123B.45 p3 u. mf-p

s8ct p02 123B.45 p4 d. mf-mp

s8ct p02 123B.45 p4 f-mp

s8ct p02 123B.45 p4 u. mf-mp

s8ct p02 123B.45 p5 d. mp-p

s8ct p02 123B.45 p5 u. f-mp

s8ct p02 123B.45 p6 d. f-mp

s8ct p02 123B.45 p6 f-mp

s8ct p02 123B.45 p6 fff-f

s8ct p02 123B.45 p6 u. mf-p

s8ct p02 123B.45 p7 d. f-mp

s8ct p02 123B.45 p7 u. ff-mp

s8ct p02 123B.45 p8 f-mp

s8ct p02 123B.45 p9 mf-mp

s8ct p02 123B.45 p9 u. mf-mp