MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS

4 FOUR VENT SESSIONS

4.39 B.C²123B.45

b p02 123B.45 p1 d. f-mf

b p02 123B.45 p1 mf-mp

b p02 123B.45 p1 u. f-mp

b p02 123B.45 p1 u. ff-mf

b p02 123B.45 p1 u. mf-p

b p02 123B.45 p10 f-mp

b p02 123B.45 p11 f-mp

b p02 123B.45 p12 f-mp

b p02 123B.45 p13 f-mp

b p02 123B.45 p14 f-mf

b p02 123B.45 p15 f-mf

b p02 123B.45 p16 ff-mf

b p02 123B.45 p16 u. f-mp

b p02 123B.45 p17 f-mp

b p02 123B.45 p2 f-mp

b p02 123B.45 p3 f-mp

b p02 123B.45 p3 u. f-mp

b p02 123B.45 p4 d. f-mp

b p02 123B.45 p4 f-mp

b p02 123B.45 p4 u. mf-p

b p02 123B.45 p5 f-mp

b p02 123B.45 p6 f-mp

b p02 123B.45 p7 f-mp

b p02 123B.45 p8 f-mp

b p02 123B.45 p8 u. f-mp

b p02 123B.45 p9 f-mp