MULTIPHONIC SPECTROMORPHOLOGY: STRUCTURING POTENTIAL SOUND MULTIPLICITIES WITHIN THE ACOUSTIC FRAMEWORK OF THE SAXOPHONE IN AN EXPERIMENTAL PRACTICE-BASED ARTISTIC RESEARCH COMPOSITIONAL PROCESS 4 FOUR VENT SESSIONS 4.64 B.8ctX2Bb.457 b8ctX2Bb.457 p01 d. f-mf
b8ctX2Bb.457 p01 d. ff-f
b8ctX2Bb.457 p01 d. ff-mf
b8ctX2Bb.457 p01 f-mf
b8ctX2Bb.457 p01 ff-mf 1
b8ctX2Bb.457 p01 ff-mf 2
b8ctX2Bb.457 p01 u. f-mf
b8ctX2Bb.457 p01 u. ff-mp 1
b8ctX2Bb.457 p01 u. ff-mp 2
b8ctX2Bb.457 p01 u. fff-mf
b8ctX2Bb.457 p02 d. mf-mp
b8ctX2Bb.457 p02 p-pp
b8ctX2Bb.457 p02 u. mf-pp
b8ctX2Bb.457 p03 d. f-mf
b8ctX2Bb.457 p03 d. f-mp
b8ctX2Bb.457 p03 d. ff-mp
b8ctX2Bb.457 p03 f-mp
b8ctX2Bb.457 p03 mf-mp
b8ctX2Bb.457 p03 mf-p
b8ctX2Bb.457 p03 u. f-mf 1
b8ctX2Bb.457 p03 u. f-mf 2
b8ctX2Bb.457 p03 u. mf-mp
b8ctX2Bb.457 p04 d. mf-p
b8ctX2Bb.457 p04 d. mf-pp
b8ctX2Bb.457 p04 mf-mp
b8ctX2Bb.457 p04 u. f-mf
b8ctX2Bb.457 p04 u. p-pp
b8ctX2Bb.457 p05 d. mf-p
b8ctX2Bb.457 p05 mf-pp
b8ctX2Bb.457 p05 u. p-ppp
b8ctX2Bb.457 p06 d. mp-ppp
b8ctX2Bb.457 p06 d. p-ppp 1
b8ctX2Bb.457 p06 d. p-ppp 2
b8ctX2Bb.457 p06 ff-mp
b8ctX2Bb.457 p06 mf-pp
b8ctX2Bb.457 p06 u. ff-mf
b8ctX2Bb.457 p06 u. ff-mp
b8ctX2Bb.457 p06 u. mp-p
b8ctX2Bb.457 p07 d. mp-pp
b8ctX2Bb.457 p08 d. mf-pp
b8ctX2Bb.457 p08 d. mp-p
b8ctX2Bb.457 p08 d. mp-pp
b8ctX2Bb.457 p08 mp-p
b8ctX2Bb.457 p09 ff-mf
b8ctX2Bb.457 p09 u. f-mf
b8ctX2Bb.457 p10 ff-mp
b8ctX2Bb.457 p11 ff-mf
b8ctX2Bb.457 p11 u. f-mp
b8ctX2Bb.457 p12 mf-mp
b8ctX2Bb.457 p13 ff-mp
b8ctX2Bb.457 p14 ff-mp
b8ctX2Bb.457 p15 f-mp
b8ctX2Bb.457 p15 u. f-mp